Cover Awe: Flowers, Pulp Fiction, & More


Welcome back to Cover Awe!

The Love Remedy by Elizabeth Everett. A teal cover with gold script for the title, The bottom half of the cover is filled with beautiful illustrations of flowers and various sizes of apothecary bottles in rich jewel tons. A small green frog is tucked amongst the bottles.

Cover design by George Towne

Amanda: I really love the covers for this series! The rich gem tones with interesting objects (and that little frog!) are beautiful.

Sarah: I love this cover. I love the colors, I love the jewel tones, as Amanda said, I love the type treatment, and the marbled background. I could decorate a whole room based on these colors. SO lush.

Sneezy: Agree! It’s also really clever to use texture and subtle patterns to draw the eyes.

There's No Way I'd Die First by Lisa Springer. A Black woman in a pink satin dress looks over her shoulder. The hem is stained with blood and she looks pissed. Her hair is pulled into a pony tail and she has on gold hoop earrings. The room she's in is dark and a shadow of a figure in a open doorway casts blue light. The shape of the figure looks like a hulking clown with an umbrella.

Cover art by Betsy Cola

Amanda: It reminds me a lot of the art style from pulp fiction covers!

Tara: I see it! But with fresh, striking colours.

Sarah: Every time I look at this cover I see new things. The stains on the dress. The earring. The shape (??) of the shadow – it’s SO interesting.

Sneezy: Covers like this make me want to believe I’m made of sterner stuff than I am and the next thing I know I’m awake at three in the morning wondering how to hide under my bed without moving.

The Glennmare Girls by Anya Mora. The cover is a dark bluish black. The edges are surrounded in deep green ivy and white lilies. A purple ribbon snakes between them. In the bottom middle of the cover is a crest surrounded by two golden, rearing horses.

Cover art by Imogen Buchanan

Sarah: This cover is gorgeous. The artist has really captured that sort of twilight glow with the lilies and the ribbon. It’s stunning.

And the copy sounds rather creepy in an unhinged kind of way.

Carrie: Ooooooh!

Sneezy: Dear lord the veins in the leaves plus the vines makes everything so disquieting.

Moths and Moonlight by Krista Fazendin. A deep purple cover with an illustration of a moth in a cream color. Behind the moth is a full moon. Surrounding the moth is a muted gold filigree with leaves.

Cover design by Youness Elh

From Gloriamarie: I think this is beautiful. The lines, the colors all work for me.

Elyse: Oh that’s beautiful.

Tara: I really love this one.

Sarah: This is gorgeous art nouveau style art. Well, I think it’s nouveau but I may be wrong. This tweet lives rent-free in my brain, however:

Lucía Lobosvilla in a tweet dated October 2024 says: Someone else said: Art Nouveau is when it looks made by elves. Art Deco is when it looks made by dwarves. And after looking into it, I think they’re a genius and 100% correct. Followed by a picture of an art nouveau styled staircase with curved lines and tendrils painted on the wall. Alongside that picture is an image of an art deco staircase with geometric lines and right angles, with black gleaming steps and gold railings.

I’ve noticed a LOT more art nouveau style covers, too. Tendrils and filigree for everyone!

Sneezy: It looks like it has art nouveau elements to me too. I’m glad that style is getting some more love! It’s one of my favs! I love the sort of careful science illustration part of it too. The two styles are used really beautifully together here!

 





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